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As short as it is, this myth has clear parallels with
the legend of the Amazons, those female warriors of ancient
Greek myth, who were said to dwell in Scythia, the land
that is now the Ukraine, Crimea, and northernmost Caucasus.
They fought in a savage frenzy, maimed or killed
all their male children, and usually were killed in battle.
The name amazon had a Greek folk etymology:
a- “not,” maz- “breast,” –on “being,” meaning
the one without (a) breast(s)—an allusion to the belief
that the Amazons removed the right breasts of their baby
girls so that they would better be able to draw their bows
in adulthood. A
hypothetical Iranian word, a-maz-an “the warriors,”
has also been suggested as lying behind the Greek word.
All this becomes transparent if one turns to the
Circassian myth.
Because she rules the forest, Lady Nart Sana bears
the epithet of the “Forest Mother.”
In Circassian, this translates as a-maz-ahn,
pronounced “Amazon,” precisely as in Greek (the last vowel
is long is both languages). Furthermore, some scholars have taken note
of an obscure link between Greek Amazons and an old figure
of the moon called Moon Mother.
This apparently marginal interpretation is the direct
result of homonymy with Circassian pronunciation.
The Moon Mother would be a-maaza-ahn,
with maaza “moon” instead of maz
“forest.”
By Circassian rules of pronunciation, however, this
is pronounced just like the “Forest Mother.”
Both are Amazon. Thus,
the confusion merely reflects features of ancient Circassian
pronunciation, preserved even today in their dialects.
We can now see the ancient
Greek myths surrounding the Amazons as borrowings from the
lore of the ancient Circassians, undoubtedly by way of the
Greek trading ports on the Circassian coast of the Black
Sea. The medicinal
and beneficent aspects of the Forest Mother, as well as
the significance of her name, were lost to the Greeks, so
that what has come down to us is merely the image of a race
of fierce, enigmatic women warriors. The oldest form of the Caucasian myth most
likely conformed to something like Lady Tree, wherein the
procreative and intellectual powers of womankind are embodied
in the vital image of the cosmos-encompassing tree.
The Forest Mother would merely be an extension of
this central figure, a specialization of the all-powerful
form into one concerned with fermentation, battle frenzy
(induced by the resulting brew), and healing (initially
of battle wounds). The tendency to represent intellectual and
magical powers with a woman accords well with the high status
accorded women in Circassian society.
The ancient representation of this powerful goddess
as a tree is more widespread, but in conjunction with the
female motifs of the Caucasus one might see a Caucasian
origin for tree veneration as well.
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