But it is clear
that the real cause of the vixen’s demise lies in the basic
conflict between its animal nature and its unfortunate desire
to live as a human being.
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According
to Korean legend, all animals, such as puppies, magpies
and cranes wanted to become human. Details taken from
larger works in the Ho-am Art Museum and the Museum
of Korean Embroidery.
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Stories of this kind abound in Korea. Sometimes snakes, fish, or even centipedes
aspire to be human. Invariably
they fail to overcome the tremendous obstacles lying in
their path, the conflicts between their animal nature and
the requirements of living in a human community.
Most of these hapless creatures are female.
A vain desire to be something other than oneself
or a devotion to unworldly purposes seems to be more marked
in females than males, whether among animals or humans. I am sure, however, that modern feminists would
have a lot to say about this.
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Even
turtles, butterflies, and mice wanted to become human.
Details taken from larger works in the Emille Museum
and the National Museum of Korea.
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I do not believe, as many scholars seem to, that this
kind of story indicates totemism, that is, a continuity
and unity between human beings and animals in Korea’s premodern
period. On the contrary, I think that it points in the opposite direction,
to a belief in the fundamental and unbridgeable gap between
human beings and animals.
By the same token, such stories indicate the Korean
concept of humanity by describing the behaviors proper for
a human being.
Despite the end of ideological conflicts, contemporary
civilization faces many crises: the hypertrophy of technology,
destruction of the living environment, tribalistic nationalism,
and so on.
The real cause of our troubles may lie elsewhere, however.
Maybe we do not know, as this story suggests, how
many of us actually are foxes, wolves, snakes, fish, or
centipedes, though looking like ordinary human beings on
the outside.
Jong
Yil Ra is dean of the Graduate School of Kyung Hee University
in Seoul, Korea.
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