Issue Date: February 2003
       Most tales featuring animal characters are used to express people's anxieties, describe difficult political conditions, and even gently satirize their circumstances. The Digo tale of Bull and Lion epitomizes the genre. The chief characters are animals. This is not a device for childish amusement. It allows for a relevant political message to be disguised and conveyed without causing unwanted offense.
       
       Animal folktales also contain a great deal of educational information about animal husbandry and bush lore. Indeed, biologists have found that many things Africans said about wild animals have proven true. For instance, for years zoologists described the hyena as a daylight carrion eater. Careful study eventually revealed that the animal was in fact a nighttime hunter, as storytellers had portrayed it.

Owl the king.

       The hornbill is also correctly described. The story demonstrates that an attentive listener can conclude from the singing of certain birds what the season will bring and whether the weather will change. A moral tale is woven into this practical observation about natural phenomena.
       
       The purpose of these stories is to teach valuable life lessons. Consider the tale of Owl. One day, all the birds came together to elect a king. After long discussions and deliberations, their choice fell on Owl. He was chosen because he never did any harm to other birds. Owl caught a mouse every night, but in daytime he just sat and blinked. So, Owl became king of the birds.
       
       Later a sparrow hawk arrived. He started catching and eating sparrows and other songbirds. The birds appealed to Owl to stop the hawk, but Owl just sat there and blinked. The lesson of this tale is that a people must elect a forceful ruler. A nonthreatening leader will be totally ineffective against the enemies of the people. Even in a democracy, we need a strong leader to defend us against criminals.
       
       Numerous tales in all parts of Africa reflect the problematic relations between ordinary, hardworking village people and various authorities who affect their lives. Only after many years of studying African folklore and storytelling did I see through the animal clothes, as it were, of the chief characters. I perceived that all the tales of Africa contained lessons, not necessarily "moral" lessons in the Christian sense but rather practical ones. These include the first steps in political science: how to make friends, avoid making enemies, and save yourself in a dangerous situation. In these tales, survival is a virtue and pragmatism triumphs over abstraction.


Jan Knappert is a folklorist living in the Netherlands.


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