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The Spoleto Festival
| Article
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10001 |
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Section : |
THE ARTS
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| Issue
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4 / 1986 |
1,616 Words |
| Author
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Gregory Speck
Gregory Speck is a freelance arts writer based in New York
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The name Spoleto may conjure visions of medieval mountaintop music-making across the sea in Italy, but for those in the know on this side of the Atlantic, Spoleto is invariably the place to be for Memorial Day weekend. Established twenty-seven years ago in the Umbrian town of Spoleto, and then again nine years ago here by composer/director/impresario Gian Carlo Menotti, the Festival of Two Worlds is set in charming Charleston, South Carolina, easily among the most beautiful and atmospheric of American cities.
For nearly three weeks in late May and early June, the global arts elite gather to feast on she crab soup and avocado dip out on the lawns of such baronial plantations as Drayton Hall, the National Trust's Palladian Mansion, and on the breezy piazzas of those grand old palazzi up and down the Battery, Charleston's oceanfront boulevard just swaying with palmettos. Yes, every spring swarms of culture vultures descend upon the namesake town of the Roaring Twenties' favorite dance. As a world-class aesthetic fest, Spoleto has become something of an annual ritual for the ultracultivated, whose appetite for lavish opera productions, exquisite chamber music concerts, avant-garde plays, experimental dance troupes, and art exhibitions is satiated in elegant Georgian theaters and historic cathedrals.
Beyond the richness of the performing and visual arts programming, however, the ultimate point of it all is to partake of that delicious diversion widely known as "southern hospitality." It might well be said that Charleston, with its singular claim to blue-blood lineage and its dazzling wealth of architectural treasures, is simply the last word in southern living, the closest we can still come to the grandeur of the antebellum lifestyle. And
... (1996 of 10037 Characters)
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