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The Art of Food Sculpting
| Article
# : |
10050 |
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Section : |
LIFE
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| Issue
Date : |
4 / 1986 |
2,058 Words |
| Author
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Jade Wu
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Gertrude Stein once wrote a "rose is a rose is a rose." Today, the resurgence of home cooking and stylish entertainment has redefined the rose as a tomato, a radish, or even an onion. Beginning with the Greeks, food has been displayed in forms ranging from inedible extravaganzas to practical nouvelle cuisine simplicity.
The Japanese brought us the balance and harmony in our culinary orchestration, while the French provided the elegance and imagination. Combining these influences we perform the ultimate gastronomical performance--presenting food as art.
Throughout the years, the Chopins delighted our ears, the Michelangelos painted the visions, the Shakespeares wrote the poetry, but no art form has successfully appealed to all five senses as has food. This sustenance has given us a myriad of textures, aromas, tastes, and smacking approvals. More importantly, we are the fortunate audience to the epitome of culinary art--visual enticement from an exquisite presentation.
Our palates have always savored good food since time immemorial. Gastronomy served a dual purpose of satiety and spectacle. During China's Ching dynasty (from the 1600s to 1912), the art of food spectacle peaked in popularity as the host's gesture of honor and gift became a paramount concern. Sculpted food represented Asian myths and superstitions. Cold meat platters transformed into phoenix birds, a symbol of good fortune and success. Whittled white radish swans were unveiled to newlywed couples as a wish for eternal love and happiness. Eggplant pine trees and shredded chicken cranes brought longevity to their
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