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Bonsai: Significance in Miniature
| Article
# : |
10221 |
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Section : |
LIFE
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| Issue
Date : |
8 / 1986 |
1,448 Words |
| Author
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Carole Ottesen
Carole Ottesen is an author and freelance writer who
specializes in gardening topics. She lives in Potomac,
Maryland. |
The soil of Japan was fertile ground for a discipline that combined nature with the hand of man. Japanese religious philosophy placed man not outside or in conflict with nature, but as a small element within nature's harmonious whole. Representing for man a link between heaven and earth, trees, with their lofty stature, were often revered. Man, like trees, stones, and waterfalls, occupied one of many niches in nature's hierarchy.
A reverence for nature, simplicity, and understatement are integral to the Japanese aesthetic sense. In bonsai, just as in sumi landscape painting, in ikebana - the Japanese art of flower arranging - and in Japanese garden art, the essence of nature is conveyed by small details rather than complete reproductions of natural scenes. A small part suggests the larger picture. The viewer plays an active roll in the art by filling in the missing elements.
Thus, the painting of a single plum blossom might evoke all that is associated with the awakening of the earth in spring. The viewer admires and appreciates the bravery of the plum blossom for defying the harshness of winter by blooming before all other trees.
Associations found in nature are both strong and many for the Japanese. Selecting a representative portion of nature for contemplation is customary. A traditional Japanese house, for example, is not equipped with picture windows for indiscriminately letting the outdoors in. Instead, windows are fitted with movable, translucent screens for selective viewing. Often a single representative of nature, an ikebana or a bonsai, is brought into the house to be viewed against the absolute simplicity of a blank wall or
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