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The Nutcracker Fantasy Still Holds the Heart
| Article
# : |
10295 |
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Section : |
The Arts
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| Issue
Date : |
12 / 1986 |
1,759 Words |
| Author
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Barbara Binkley
Barbara Binkley writes frequently about dance for several
newspapers in Pennsylvania and New York. She currently resides
in Pottstown, Pennsylvania. |
In 1891, Pyotr Ilyich Tchaikovsky began composing a ballet based on the scenario of E.T.A. Hoffmann's tale, "The Nutcracker and The King of the Mice." Commissioned by the Imperial Ballet in St. Peterburg, Tchaikovsky was required to compose music that met the strict requirements established by the ballet's choreographer, Marius Petipa.
The scenario was written by Ivan Alexandrovitch Vsevolojsky, the theater's director. Vsevolojsky simplified Hoffman's tale by softening its darker elements. Though Marius Petipa planned the choreography, an illness later forced him to turn it over to his assistant, Lev Ivanov, for completion.
The author Hoffmann was born in Prussia and studied law. The arts were his true passion. In fact, he even changed one of his middle names from Wilhelm to Amadeus in tribute to Wolfgang Amadeus Mozart. Hoffmann founded an orchestra in Warsaw, was musical director of several theaters, and composed two symphonies and ten operas. Under the pseudonym of Johannes Kreisler, he wrote music criticism.
The romantic fairy tales he wrote combined flights of fancy with the grotesque. "The Nutcracker and the King of the Mice" was written in 1816 and published in a children's collection of stories. Alexandre Dumas (the elder) popularized the tale with a French adaptation called "The Nutcracker of Nuremberg."
Tchaikovsky, like Hoffmann, also attended law school (he once was clerk in the Russian Ministry of Justice) and regarded Mozart as his favorite
... (1911 of 10522 Characters)
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