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The Last Edwardian Man of Letters
| Article
# : |
10847 |
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Section : |
Book World
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| Issue
Date : |
7 / 1986 |
3,134 Words |
| Author
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Roger Lewis
Roger Lewis is a fellow of Wolfson College and a lecturer
at Mogdalen College, Oxford University, and writes
regularly for Punch. |
BUT DO BLONDES PREFER GENTLEMEN?
Anthony Burgess
New York, McGraw Hill, 1986
589 pp., $24.95
In England and France, this gathering of yellowing newsprint was called Homage to Qwert Yuiop: Selected Journalism 1978-1985. Crossing the Atlantic, the text has been baptized anew as But Do Blondes Prefer Gentlemen?: an altogether more tangy title, redolent of Lorelei Lee and the cocktail hour. In Europe, Burgess is the busy hack, paying duty to his well-worn Smith-Corona ("this perpetual typewriter hammering"); for the Manhattan publication transfer, however, Burgess is the dapper man of letters who takes the train from Monte Carlo to Barcelona to purchase shoes: his reviewing promoted to the status of belle-lettres.
Both perspectives pertain. That he is the most industrious of authors is self-evident. Since I became, in 1984, Burgess' recording angel, he has produced, to make me industrious also, Enderby's Dark Lady (a novel), Ninety-Nine Novels (an idiosyncratic annotated reading list), Cyrano de Bergerac (an adaptation of Rostand for the Royal Shakespeare Company), The Kingdom of the Wicked (a run of de Mille epic, spawned from the A.D. Anno Domini script), Flame into Being (a biography of D. H. Lawrence), L' Enfance du Christ (a translation of Berlioz's oratorio), Blooms of Dublin (a musical based on James Joyce's Ulysses), Oberon Old and New (a completely refurbished libretto for Weber's opera), and a version of Bizet's Carmen. In the summer, another novel is promised, called The Piano Players. His new word processor at his home in Monaco is rumored already to contain, on its floppy discs, a
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