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The Art of Buddhist Manuscript Illumination
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# : |
12899 |
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Section : |
THE ARTS
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| Issue
Date : |
5 / 1987 |
2,408 Words |
| Author
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Julia Meech-Pekarik
Julia Meech-Pekarik is an art historian living in New York who
specializes in the art of Japan. |
The impressive scope and diversity of Buddhist manuscript illumination from India to Japan has remained virtually unknown in this country until very recently. Last month the first major exhibition in the world devoted exclusively to illuminated Buddhist manuscripts opened at the Asia Society in New York.
Although there is no single Buddhist book equivalent to the Bible in Christianity or the Koran in Islam, Buddhist scriptures make it clear that one of the most meritorious acts a Buddhist can perform is either commissioning or copying religious texts. Originally, these illuminated manuscripts were intended simply to aid in spreading the religion from India to the Far East. But, in time, they became sacred objects of veneration. Richly embellished with paintings and encased in highly ornamental protective covers, they were stored in exquisitely crafted lacquered and gilt cabinets.
Buddhist book illumination was at its peak from the seventh through the twelfth century A.D. The tradition of illumination, however, continues today in countries such as Sri Lanka, Burma, Thailand, and Japan, where the majority of the population is Buddhist.
Origins
The sacred texts were not put into writing until the first century B.C., over 400 years after the death of the Buddha, because Indian historical tradition was based on memorization and oral transmission. The scriptures consist of the sermons of the Buddha, numerous monastic rules and regulations, and doctrinal commentaries. After passing from India to most of the countries east of Iran, the texts were
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