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The Passion Tradition
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11705 |
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Section : |
THE ARTS
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| Issue
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4 / 1987 |
4,637 Words |
| Author
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Tom Pniewski
Tom Pniewski is a musicologist at Hunter College in New York. |
The events of Passiontide - the final week of Christ's life on earth - have inspired some of the greatest artworks of the Western world. Especially notable are the Passions of J.S. Bach and Handel's Messiah, which hold places of honor beside Michelangelo's Sistine Chapel and Pieta as outstanding fusions of belief and art.
The Passion tradition was more than a thousand years old when Bach came to it. From the earliest days of Christianity, the events of Passion week, central to the church's establishment and existence, had been marked in special ways.
Early Christian commemorations of the Passion grew out of the liturgy, which specified readings from the Gospels of Matthew, Mark, Luke, and John at Mass during Holy Week - the part of the church year stretching from Palm Sunday, marking Christ's triumphant entry into Jerusalem, through Easter, his Resurrection. Included are the events of Holy Thursday (the Last Supper and institution of the Eucharist) and Good Friday (the Crucifixion and Burial). This tradition of readings developed through the second and third centuries: Easter, celebrated at the time of the Jewish Passover, became a major feast earlier than did Christmas, which for many years had no fixed date and began to be observed seriously about the fourth century. In the Eastern Church and in the Holy Land itself, ceremonies marking Christ's suffering and death tended to be more commemorative and solemn in nature, while in the Western Church they took on an educational function, possibly because the Western congregations were made up of converts unfamiliar with the Holy Land.
Christianity was legalized under Constantine, and in A.D.
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