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Yuri Lyubimov: World-Class Director
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11714 |
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Section : |
THE ARTS
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| Issue
Date : |
4 / 1987 |
2,597 Words |
| Author
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Curtis Cate
Historian and biographer Curtis Cate was greatly aided in the
preparation of this article by Liane Villemont and Jacques
Deschamps of l'Institut national de l'audiovisuel. |
Eight years ago, when I first met the celebrated Soviet director Yuri Lyubimov at the Left Bank apartment of French actress Odile Versois in Paris, he appeared curiously subdued. Seated on an ornate couch, he quietly watched the other guests. Occasionally a smile would brighten his mobile features, and he would contribute a brief, noncommittal remark to the general conversation before lapsing into a wary silence. A faint twitch of the eyebrows was the only visible sign of his inner tension - produced by the Taganka Theater group's omnipresent Party "guide" - a female Soviet security agent whose job it was to observe his every utterance and movement while in the West.
Recently I saw him again - this time seated in the director's office of Paris' famous Odeon Theater, where he had been invited to stage a dramatic adaptation of Dostoyevski's The Possessed. All trace of his earlier reticence had vanished. [Editor's note: This interview took place before Lyubimov's trip to Washington, D.C.]
Time of Tribulation
During 1984, one unexpected and disagreeable event after another erupted in the life of the Soviet's most famous living stage director. In February of that year, which Lyubimov looks back upon with wry humor as his "Orwellian year," he was in Bologna, Italy, staging a new production of Wagner's Tristan and Isolde at the local opera house when he received word that the Communist Party committee at his Taganka Theater in Moscow had voted for his dismissal as director, a post he had held with unparalleled distinction for close to twenty years. A month later, on March 13, he learned he had been ousted by Vladimir Shadrin, head of the Moscow
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