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Antonio Gaudi: The Pride of Barcelona
| Article
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11721 |
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Section : |
THE ARTS
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| Issue
Date : |
4 / 1987 |
1,808 Words |
| Author
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Juan Bassegoda Nonell Juan Bassegoda Nonell holds the Gaudi Chair of Architectural
History and Urban Planning at the Higher Technical School of
Architecture, Polytechnic University of Cataluna, Spain. |
Today, the architecture of Antonio Gaudi y Cornet is known and admired throughout the world. Numerous books and articles have been devoted to the man and his extraordinary work. Exhibitions and seminars are always taking place to discuss the architectural phenomenon of Barcelona. Gaudi is, moreover, an architect esteemed not just by professionals, but is genuinely enjoyed and appreciated by the ordinary citizen.
Although established historians of architecture have written extensively about his work, a complete understanding of his style and method calls for a simple and direct explanation, and not one based either on aesthetic criteria or on principles of architectural history.
Unique Construction
Clearly the form of Gaudi's construction is different from those that through the centuries produced different artistic styles. Yet despite the large number of books and articles published on the subject, it is impossible to fully understand Gaudi. A study of him requires that additional resources be explored, using methods other than those of historiography and aesthetics.
None of Gaudi's family had ever worked as either architects or masons. His ancestors, up to the fifth generation, were craftsmen, owners of a coppermaking shop where stills were made for distilling alcohol from the grapes of the Campa de Tarragona vineyards, home of the Gaudi Vineyards, home of the Gaudis.
In his childhood and adolescence Gaudi knew and deeply loved the countryside and
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