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Andres Segovia: Passing of the Apostle of the Guitar
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11835 |
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Section : |
THE ARTS
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8 / 1987 |
3,513 Words |
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Susan Fegley Osmond
Susan Fegley Osmond is an editor in the Arts section of The
World & I. |
He died quietly, exemplifying to the last the dignity and eloquent understatement that had always been his trademark. While watching television in June with his wife and son, he murmured simply, "I am dying, I am dying," then closed his eyes.
Perhaps more than any other performer in history, Andres Segovia had devoted his life to imparting to the public the secret universe of his chosen instrument, the guitar, and making it one of the most beloved instruments in the world. He was responsible for transforming the guitar from a little-known instrument primarily associated with the tavern into a respected classical instrument with a burgeoning literature and literally millions of students in conservatories throughout the world. He was the first to introduce the guitar to major concert halls and redefined much of its technique. He greatly widened its repertoire, both through his own transcriptions (over two hundred of them) and by inspiring composers to write more than three hundred works for the instrument. In the course fulfilling his life's calling as "the apostle of the guitar," as he put it, Segovia became a cosmopolitan man in the very best sense of the word. He traveled the world over and was versed in arts and letters. Despite all he saw and experienced in the near century of his lifespan, however, he never acquired a veneer of cynicism, nor gave in to the fashion of despair. "Artistically I have accomplished everything I wanted to," he said last year. "My life has been a line going slowly up without falling and without going back."
He was probably one of the most healthy of artists - in both mind and body - that the world has been blessed with. The fruitfulness of his life of patient perseverance certainly causes one to
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