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The Little Angels School of Korea: A Very Special Learning Experience
| Article
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12009 |
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Section : |
THE ARTS
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| Issue
Date : |
12 / 1987 |
1,338 Words |
| Author
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Cynthia Grenier
Cynthia Grenier is contributing editor to the Arts section of
The World & I. |
A half-hour's drive east from the center of Seoul through bumper-to-bumper early-evening traffic on the elevated Ch'onggyegogaro Freeway brings you to the sudden calm of the Children's Garden Park. Just outside its walls stands a handsome marble complex of modern buildings: the Sun Hwa School--the School of the Little Angels.
Teenage girls and boys, friends, and family laugh, chat, and jostle one another as they enter the large white, gold, and scarlet concert hall of the Little Angels Performing Arts Center. With their light summer dresses, freshly pressed jeans, and shining hair, the youngsters seem very like their counterparts in the States.
Tonight the concert--a kind of graduation recital--is presented by the senior class' seventy-member symphony orchestra. The program emphasizes Mozart, opening with the overture from The Marriage of Figaro, and continuing with the Concerto for Two Violins and Orchestra in C major, K. 190. The solo violinists are two serious and concentrated young women wearing full-length gowns of yellow and peach, who play before the black- and white-clad orchestra.
The final number on the program is an original piano concerto by seventeen-year-old Cho Sang-Ook, fittingly enough known to his fellow students as Wolfgang Cho. His professor plays the concerto. The audience gives the youthful composer, his teacher, and the orchestra an explosive standing ovation.
Long after the concert, the students stand about in small groups discussing the performances, as friends bring bouquets of flowers to the performers. A few days
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