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Ashton's La Fille mal gardée Meets the Joffrey
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12171 |
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Section : |
THE ARTS
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| Issue
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2 / 1987 |
2,364 Words |
| Author
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Barbara Binkley Barbara Binkley writes frequently about dance for several
newspapers in Pennsylvania and New York. She currently resides
in Pottstown, Pennsylvania. |
La Fille mal gardee, known as La Fille or The Unchaperoned Daughter, is the oldest full-length classical ballet given in contemporary repertories. To the delight of ballet lovers of all ages, renowned choreographer Sir Frederick Ashton has refurbished it into a virtuosic ballet.
La Fille is an ideal vehicle for the Joffrey Ballet, a spirited all-American company that exhibits a bit more of the razzle-dazzle and glitter of its home cities of New York and Los Angeles than the other two major American companies, New York City Ballet and American Ballet Theatre.
The company was established by Robert Joffrey, a native of Seattle, Washington, and is under his artistic direction. Joffrey is a member of the National Council of the Arts and copresident, with the Bolshoi's Yuri Grigorovich, of the dance section of the International Theater Institute. A recipient of the Capezio Award and the Distinguished Service award of the Dance Notation Bureau, he has been recognized for his contributions to the world of classical ballet.
Ambitious Repertory
Each season, Joffrey ambitiously adds full-length classics like La Fille to the company's repertory. The New York premiere of the Ashton version of this ballet coincided with the company's 20th anniversary season at City Center in its 30th performing year. The standard Joffrey repertory is mixture of the beloved classics like Petrouchka and Romeo and Juliet, and contemporary works like Laura Dean's Night and Mark Morris' Esteemed Guests. Other contemporary works - like Valentine, recently revived, and the
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