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Another Look at Evelyn Waugh
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12596 |
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Section : |
BOOK WORLD
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6 / 1987 |
3,088 Words |
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Gregory Wolfe
Gregory Wolfe is the founder and coeditor of Image: A Journal
of the Arts and Religion, and a frequent contributor to The
World & I. |
EVELYN WAUGH
The Early years, 1909-1939
Martin Stannard
New York: W.W.Norton, 1987
537 pp.
It is safe to say that those people who read the novels of Evelyn Waugh today do so largely for their riotous humor rather than any profundity of meaning or criticism of the modern world. This would not have unduly bothered Waugh, who held firmly to the classical belief that art must first entertain before it can instruct. Waugh's fiction may be roughly divided into two periods. The "classic" Waugh - the most widely read - is the comic author who took as his fictional turf the irresponsible world of the English upper classes in the 1920s and 1930s. In such novels as Decline and Fall, Vile Bodies, and Black Mischief, the Bright Young People go careening from cocktail party to country house to jail, death or, more usually, back to the cocktail party. The reader finds himself laughing at the antics of these eccentric characters, only to realize that what he has found amusing involved a decadence that none of the characters are able or willing to recognize. The later novels move beyond the light, coruscating world of eccentric aristocrats with hyphenated names to a more realistic vein, in which characters are given depth and the tragic dimension is closer to the surface. For many Americans, their only exposure to the later style has been the sumptuous, romantic television series based on his most popular novel, Brideshead Revisisted. The theological issues raised in Brideshead blend with politics and history in Waugh's final major work, the Sword of Honour trilogy, based on his experiences in World War
... (1957 of 18185 Characters)
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