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Herbert Marcuse's Erotic Marxism
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# : |
12655 |
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Section : |
Modern Thought
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| Issue
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6 / 1987 |
4,378 Words |
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Timothy Fuller Timothy Fuller is professor of political science at Colorado
College in Colorado Springs, Colorado. |
Herbert Marcuse (1898-1979), born in Berlin and a lifelong socialist, found his philosophical roots in Hegel, Marx, Heidegger, Freud, and in the work of the Institute for Social Research in Frankfurt. He became an American citizen and taught in a number of universities, including Columbia, Brandeis, and the University of California at San Diego. Marcuse came to prominence in American intellectual life in the 1960s when his writings were widely read by disaffected college students and faculty. Before that he was known here primarily for his scholarly work on Hegel, Reason and Revolution (1939); for Soviet Marxism (1958), a critique of bureaucratic socialism in the USSR, guardedly optimistic about the power of Marxist ideology ultimately to overcome the bureaucracy, just as critical (implicitly more critical) of the bureaucratization of the West; and for Eros and Civilization (1955), in which he proposed the arguments that brought him a moment of celebrity. He elaborated his themes in One-Dimensional Man (1964) and in An Essay on Liberation (1969). In these books and numerous occasional essays, he critiqued America directly, singling it out as the principal source of the modern malaise.
Marcuse's critique is fundamentally Marxist in origin and style while reflecting the mutations in Marxism produced by the cataclysmic events of the twentieth century--Nazism in Germany and Stalinism in Russia. His position accounts for the shocks delivered to eighteenth- and nineteenth-century optimism about enlightenment and progress. Nor does he ignore Marxism's failure to achieve a science of society with a moral content.
Method And Morality In Marxism
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