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Independent TV's Elite Gift to Great Britain: Channel Four Generates Quality, Not to Mention the Unorthodox
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13079 |
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Section : |
THE ARTS
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11 / 1987 |
2,365 Words |
| Author
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Herb Greer
Herb Greer is an American writer and playwright who lives in
Britain and on the Continent. |
These days most of the critically acclaimed British movies that Americans are hurrying to see are financed by the elite, alternative voice of British television: Channel 4.
Until the 1950s, broadcasting of all kinds in Britain was given and taken as a public service, the monopoly of a mandarin elite organization called the British Broadcasting Corporation (BBC). Its first director-general, John Reith, had a view of his responsibility that was unusual by American standards:
It is occasionally indicated to us that we are apparently setting out to give the public what we think they need--not what they what--but few know what they want and very few what they need…In any case it is better to overestimate the mentality of the public than to underestimate it.
During World War II, the British became aware of other forms of broadcasting through overseas posting of servicemen and, in Britain itself, the American Forces network. The monopoly of the BBC came into question. Reith's successor, Sir Frederick Ogilvie, after resigning over wartime government pressure on the BBC, spoke out in 1946 against the monopoly. After more pressure and public ferment, in 1954 Parliament set up an Independent Television Authority (later called the Independent Broadcasting Authority), a nongovernmental body, to oversee commercial broadcasting in Britain. There was talk among politicians of broadcasting as a commodity to satisfy customers, but "independent" (i.e. commercial) television was still oriented by the earlier ideals of public service. There was to be no direct sponsorship on the American model. Instead, private companies would contract to supply
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