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Leland Rice: Images of the Berlin Wall: Symbol of Suffering Turns Into a Living Art Gallery
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13080 |
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Section : |
THE ARTS
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| Issue
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11 / 1987 |
1,473 Words |
| Author
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Peter Skinner
Peter Skinner, an Australian journalist and photographer,
lives in Santa Barbara, California. He contributes to
photographic and general interest publications. |
Built in 1961 to divide the city of Berlin into eastern and western sectors, the infamous Berlin Wall has become an international symbol of oppression and of man's inhumanity to man. A constant reminder of the Cold War, the formidable barrier has presented a challenge to those courageous enough to risk everything in pursuit of freedom. Few who have seen the imposing Wall remain unaffected.
The Berlin Wall has also become a public gallery featuring the work of graffiti writers--West Berliners and foreign visitors alike--whose graphic, colorful, and anonymous political statements have converted the ninety-mile concrete and steel structure into a giant canvas of constantly changing art.
The graffiti creations are a source of interest and entertainment for most, but also serve as inspiration for others. Among the latter is California photographer Leland Rice, whose exhibit Illusions and Allusions: Photographs of the Berlin Wall was shown in the San Francisco Museum of Modern Art, August 14 through November 1. The exhibit was under the curatorship of Van Deren Coke, resident curator emeritus of photography at the museum.
Totally Magnetized
Rice, who admits being "totally magnetized" by the Wall, has found it a rich source of photographic imagery. The twenty-one large Cibachrome prints from his Berlin Wall series, ranging in size from 30 by 40 inches to 48 by 117 inches, focus on the brightly colored pictographic art, symbols, poetry, slogans, and expletives that cover the Wall's surface in
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