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Jerry Williams Carter: Reinterpreting the Art of Mosaic
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13215 |
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Section : |
THE ARTS
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10 / 1987 |
1,585 Words |
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Jennifer Gibson
Jennifer Gibson is the visual arts specialist for the Maryland
National Capital Park and Planning Commission |
In the unlikely, unromantic setting of suburban Silver Spring, Maryland, Jerry Williams Carter carries on a tradition begun many centuries ago, the art of mosaic. He has transformed this ancient art by combining modern technology with the use of fabled Venetian glass to create a blend of materials and form that spans the ages. His completed mosaics do not translate paintings into stone but are original works in themselves.
The word mosaic derives from the late Greek mouseios, belonging to the nine muses (those daughters of Zeus and Mnemosyne, the goddess of memory), who each presided over a different art or science. A picture or decorative design made by setting small colored pieces such as stone or glass in mortar, mosaic is one of the oldest and most durable forms of mural decoration and was in constant use from the earliest times up to about the thirteenth century. The remnants of Greek and Roman mosaic floors, the mosaics of Hagia Sophia in Istanbul, and the monuments of Ravenna inspire the contemporary viewer with an awe similar to that experienced by their original beholder - mosaic shining with undiminished freshness. We can still enter the dusky interior of a sixth-century church on the outskirts of Ravenna and, by the flicker of candlelight, see gold and innumerable colors playing across the walls. The reflecting, luminous tesserae (the small squares of stone or glass used to make the mosaic designs) shimmer in the darkened church.
Visionary Work
Instead of pagan and Christian images, Carter presents his personal vision of a universe shaped by space exploration and future technology. Like artists of the past, he speaks to man's
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