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Hmong Stories and Story Cloth
| Article
# : |
13437 |
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Section : |
CULTURE
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| Issue
Date : |
9 / 1987 |
3,049 Words |
| Author
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Merlinda Fournier
Merlinda Fournier is a free-lance author based in the
Washington, D.C., area. |
Long ago the Han Chinese considered the tribal peoples of their southwest provinces not only barbaric but subhuman, even bestial. Early Chinese historical accounts describe these hill peoples, notably the Mien (Yao) and Hmong (Miao), as sprouting small flightless wings or having clearly discernible tails. They were to be feared, exterminated if possible. Tradition holds that the early Hmong kingdoms were forcibly divided by the Chinese, and the Hmong language outlawed, punishable even by death. To preserve it, Hmong women cunningly hid their alphabet in the intricate designs of pa ndau (flower cloth) - embroidered textiles used for jackets, skirts, pants, sashes, hats, baby carriers, and burial shrouds.
The original alphabet has long been forgotten. From that mythological time, the sounds were written only in pictorial form, handed down in design motifs from one generation to the next. The Hmong remained preliterate until the 1950s, when Christian missionaries transliterated the sounds of the Hmong language into the Western alphabet.
Flower cloth reinforced the ethnic identity of the Hmong for centuries. Indeed, one of the names Hmong tribes called themselves was M'peo (embroidery people), according to a 1970 U.S. Army ethnographic study. Each subgroup of the Hmong developed predominant color preferences for textiles and costume designs, all styled with geometric motifs worked in one or more of the four Hmong textile techniques - embroidery, appliqué, reverse appliqué, and batik. Even the present names of their tribes - Blue or Green, White, and Striped (sometimes called Flowery) - reflect their textile art. Elaborate costumes and a rich oral tradition embellish every occasion from birth to
... (1958 of 19162 Characters)
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