|
|
|
|
|
|
Resources |
|
|
|
A Really Wonderful Wizard of Oz: The Royal Shakespeare Company Makes Magic
| Article
# : |
13530 |
|
|
Section : |
THE ARTS
|
| Issue
Date : |
4 / 1988 |
2,421 Words |
| Author
: |
Herb Greer
Herb Greer is an American writer and playwright who lives in
Britain and on the Continent. |
The Greeks had their Olympus and their myths; we have our Hollywood and its films. There was a time when a myth was a traditional story known to a given culture, and whose origins were lost in time. Such tales were preserved through centuries by word of mouth, and finally crafted into the great poetic epics of the ancient world. Eventually, some were taken up by the playwrights of classical Athens, and then by writers closer to our own age. Our new myths are more varied in kind and tend, like the Aeneid, to be custom-made; but they strike more quickly into the resonant depths of popular emotion.
We have myths that are, so to speak, more in the glorious Greek tradition, though they are familiar to millions more people than the ancient Greek stories ever were at any one time. These fantasies have been absorbed into the Jungian shadows of our public imagination, where they enhance life instead of destroying it; they confirm the child's innate sense that life is good and worth living; and they restore the freshness of that knowledge in the psyche of some lucky adults. No one knows exactly how or why this important miracle takes place, but when it does reveal itself, it is easy to recognize.
Awesome Kingdom
One such revelation began in 1900, when the American children's writer Lyman Frank Baum published The Wonderful Wizard of Oz. This book tells the story of how a little farm girl, Dorothy, and her dog Toto are accidentally caught up and swept into the eye of a Kansas cyclone. It whirls them away from the gray real world to Munchkin-land, part of an awesome and lovely kingdom called Oz, inhabited by strange little people, by
... (1998 of 13947 Characters)
Read Full Article
|
|
