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Cosmic Fusions
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13568 |
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BOOK WORLD
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4 / 1988 |
1,908 Words |
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Robert F. Geary Robert F. Geary is head of the English Department at James
Madison University. His academic interests include the gothic
novel and its literary descendants. |
2061: ODYSSEY THREE
Arthur C. Clarke
New York: Del Rey, 1987
$17.95
Twenty years after sharing an Oscar with director Stanley Kubrick for 2001: A Space Odyssey, Arthur Clarke returns to the environs of Jupiter with another sequel--2061: Odyssey Three. To judge by the commercial success of his rather disappointing 2010, which spent a half year aloft on the best-sellers list, this volume will also attract a considerable audience. Why it is likely to do so is not entirely clear to a reader upon finishing this mercifully brief book. Does the appeal of such a work reside in the alluring promise of transforming our condition with the discoveries of science? Or are the book's merits as fiction what are likely to gain it an avid following? Perhaps less obvious factors are involved as well. The answers offer interesting glimpses into the values of our culture.
Clarke's use of science is, no doubt, one source of his stature, especially among science fiction purists. This book, for instance, cannot be sneered at as a "space opera"--an intergalactic shoot-'em-up between good guys and bad guys all armed with ray guns instead of six-shooters. Nor do we have a struggle between chivalric knights and ogres to save a threatened land--the whole transposed from a fancied past into a future millennium. Clarke, who holds degrees in physics and mathematics, has a genuine interest in extrapolating what just might be from what is presently known by science. (His publisher does not neglect to remind us that the author won considerable renown for depicting in his fiction a communications satellite some two decades
... (1997 of 11848 Characters)
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