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Dissident
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13569 |
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Section : |
BOOK WORLD
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| Issue
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4 / 1988 |
3,314 Words |
| Author
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Lee Congdon
Lee Congdon writes regularly on modern literature. He teaches
eastern European history at James Madison University. |
THE VELVET PRISON
Artists Under State Socialism
Miklos Haraszti
New York: Basic Books, 1987
165 pp., $14.95
The Oxford English Dictionary defines dissident as "one who disagrees," or "one who dissents from the established or dominant form of religion." In East Central Europe, that religion goes by the name of communism, and those who dissent must therefore set themselves against the formidable power of the state. As a rule, these courageous men and women are apostates, disappointed idealists and quondam believers who were forced to look on as their dreams of emancipation and redemption turned into nightmares of oppression and damnation. That is certainly the testimony of Milovan Djilas, the archetypical East Central European dissident. While still a young man, the tough Montenegrin threw in his lot with the communists, fought in World War II with Marshal Tito's Partisans, and took his place as a prominent member of postwar Yugoslavia's ruling elite.
It was not long, however, before the rebellious temperament that Djilas inherited from his forefathers stirred within him. In 1957, he shook the Yugoslav government and the entire communist world by publishing in the West The New Class: An Analysis of the Communist System, a searing indictment of the dictatorship he had done so much to invent. In the long years since the book first appeared, he has lived the life of a dissident, one who cannot publish in his own country and who must be prepared to endure surveillance, harassment, prison, and public
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