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British Television Looks to the Nineties: Biggest Shake-Up in Forty Years
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13634 |
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Section : |
THE ARTS
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| Issue
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8 / 1988 |
2,415 Words |
| Author
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Richard Last
Richard last is chief television critic for the Daily
Telegraph. |
The British media event of 1987 was the move of Michael Grade from the second-ranking job at BBC Television to the No.1 spot at Channel 4. Grade--former president of Embassy Television, former program director at ITV's London Weekend, in line for promotion at the BBC to managing director from director of programs--was trading the BBC's over fifteen thousand broadcasting hours and an annual budget close to 600 million pounds for Four's five thousand hours and 180 million pounds. At forty-four, the golden boy of British television, heir to the world-famous Grade dynasty (he is the nephew of show-biz Lords Lew Grade and Bernie Delfont), looked as if he might be backtracking.
It was not just the manner of Grade's appointment, leap-frogging half a dozen short-listed candidates, that made headlines. Bemused members of the British broadcasting establishment wondered why a man on his way to becoming the BBC's director-general should want the much smaller Channel 4 post or, for that matter, why Four should want him. Channel 4, set up by act of Parliament to be "distinctive" and "innovative," is by definition a minority service in a system that has always prided itself on catering to minorities.
Margin of Political Dissent
Channel 4 is famous for its range of ethnic programs, programs appealing to feminists and gays, and programs allowing a wider margin of political dissent than any other British TV channel. It is known as well for a popular twice-weekly soap opera, Brookside, and for pumping new life into the flagging British cinema industry by means of its handsome investment in the weekly Films on Four. It started in 1982 with an
... (1992 of 14653 Characters)
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