|
|
|
|
|
|
Resources |
|
|
|
To Thine Own Rage Be True
| Article
# : |
13649 |
|
|
Section : |
BOOK WORLD
|
| Issue
Date : |
8 / 1988 |
3,366 Words |
| Author
: |
Kenneth S. Lynn
Kenneth S. Lynn is Arthur O. Lovejoy Professor of history at
Johns Hopkins University and is the author of Mark Twain and
Southwestern Humor, William Dean Howelss: An American Life,
and Hemingway. |
A LIFE
Elia Kazan
New York: Alfred A. Knopf, 1988
848 pp., $24.95
From the mid-1940s through the '50s and into the first two years of the '60s, Elia Kazan--known to his friends and enemies alike as "Gadget" or "Gadg"--was the most successful director in the American theater and a golden boy in Hollywood as well. Among his many Broadway hits were The Skin of Our Teeth, One Touch of Venus, A Streetcar Named Desire, Death of a Salesman, Jacobowsky and the Colonel, Cat on a Hot Tin Roof, The Dark at the Top of the Stairs, and Tea and Sympathy, while his film credits included Viva Zapata!, East of Eden, A Tree Grows in Brooklyn, Splendor in the Grass, and On the Waterfront. Yet at every point in this period, he declares in his relentlessly confessional autobiography, tersely entitled A Life, he was in a turmoil of revolt against himself for choking back the rage and hatred that were boiling within him. "I didn't like my public person," he writes. "I wasn't the man I wanted to be. I despised my nickname, for instance: Gadget! It suggested an agreeable, ever-complaint little cuss, a 'good Joe' who worked hard and always followed instructions. I didn't feel that way, not at all."
To explain this schizoid condition, Kazan harks back to his upbringing. He was born in Constantinople in 1909 to an Anatolian Greek family--a "freakish" family, he calls it, "in which there were traces of insanity." In addition to its personal problems, the family lived "in terror," Kazan asserts, of its xenophobic Turkish neighbors. The "Anatolian Smile" with which Elia's father, George Kazanjioglou, faced the
... (1998 of 18971 Characters)
Read Full Article
|
|
