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Timeless Town, Twining Traditions
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13837 |
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Section : |
CULTURE
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12 / 1988 |
3,684 Words |
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Lesley A. Northup
Lesley A. Northup is a free-lance writer with a special
interest in Hispanic culture and religion. |
On a map of the narrow, rectangular island, it is only a small circle tucked into the northeast corner of Puerto Rico—just another village. A visitor would find it physically unremarkable, not particularly distinguishable from a hundred other such towns on the island. The dusty main street sports the usual shops—gas stations, bodegas, a pharmacy, a shoe store. There is, of course, a shady central plaza where townsfolk, singly or in small groups, think, chat, or read. And there are the churches: Saint Patrick's, the patronal iglesia that dates back to 1645; a large, new evangelical Protestant church; and the less conspicuous church of Santiago Apostol, Saint James the Apostle.
The latter, though unimposing, is more than just another church, however—it is the locus of a unique cultural tradition. For eight days each year at the end of July, the Fiesta Democratic Santiago Apostol transforms the seemingly ordinary village of Loiza, revealing it as a fascinating cultural crossroads where the native customs of three distinct civilizations are preserved and celebrated.
The fiesta, which draws revelers from around the world, has preserved in microcosm traditions of the three great cultures that comprise the Puerto Rican heritage: native Indian, Spanish, and African. Unlike the rest of the island, where these influences have tended to meld, dominated by the Spanish colonial legacy, Loiza has maintained and fiercely guarded clear remnants of each of the contributing lines—and puts them on glorious display during the fiesta.
But why Loiza? Why has this unprepossessing village become a king of living museum? The answer lies in an accident of
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