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The Great Russian Piano Tradition
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# : |
14092 |
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Section : |
THE ARTS
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| Issue
Date : |
1 / 1988 |
3,480 Words |
| Author
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Bella Shiuk; translated by Vladimir Talmy
Bella Shiuk is professor of piano at the Levine School of
Music in Washington, D.C., and the Hebrew Arts School in New
York City. |
Many of the twentieth century's foremost pianists have been reared according to the Russian tradition. Horowitz, Rachmaninoff, Gilels, and Ashkenazy among others were all trained at top schools in their native Russia. The foundation of the Russian piano tradition was laid in the 1860s by brothers Anton and Nikolai Rubenstein. The Rubinsteins' philosophy and techniques have been handed down from generation to generation for 125 years. Today, émigré teachers have brought the Russian tradition to many nations, where it has been altered and enriched by diverse musical tastes and cultures.
Sibling Conservatories
In 1859, Anton Rubinstein (1829-1894) founded the Russian Music Society, which played a paramount role in the development of musical culture in Russia. The Russian Music Society, guided by Rubinstein, organized numerous concerts that featured renowned musicians; it also helped open the first Russian conservatories, in St. Petersburg and Moscow. The Russian school of music and its traditions originated in these two major musical institutions, the Imperial, or St. Petersburg Conservatory (now Leningrad Conservatory), founded in 1862, and the Moscow Conservatory, founded in 1866.
Anton Rubinstein founded the St. Petersburg Conservatory and was director from 1862 to 1891. He was unquestionably one of the school's most influential teachers.
Anton Rubinstein was internationally recognized as one of the greatest pianists of the nineteenth century. He was most noted for his volcanic power and a sensuous tone that combined monumental strength with
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