|
|
|
|
|
|
Resources |
|
|
|
Madame Butterfly's Revenge: Racism, Sexism, and Imperialism Come to Broadway
| Article
# : |
14361 |
|
|
Section : |
THE ARTS
|
| Issue
Date : |
6 / 1988 |
1,771 Words |
| Author
: |
Richard Grenier
Richard Grenier's latest book is Capturing the Culture. |
It has been a long time since a new American play has received such reviews on Broadway.
"Visionary. Brilliant" (New York Times). "Electrifying" (Wall Street Journal). "Theater at its most challenging and entertaining. Will never be forgotten" (New York Post). "Thrilling" (CBS). "One I will see and see again. Unforgettable" (NBC). "Breathtaking" (Metromedia). "Masterful" (USA Today). "Dazzling" (Christian Science Monitor). And so on, and on: AP UPI ("a theatrical treasure"), the Hearst newspapers, Newhouse newspapers, even the normally prudent trade publication, Variety.
The reviews convey no notion that there is anything polemical about M. Butterfly, even though author David Hwang--in a major interview published in the New York Times Magazine before opening night--let it slip that the historical episode that inspired the play revealed to him all that was false in "racism, sexism, and imperialism." We must therefore prepare ourselves for a major political event. Racism, sexism, and imperialism, all three, are to be eviscerated in one play. One might well wonder what kind of marvelous episode could inspire such a sweeping enterprise. USA Today gives us a hint: "Just when you've seen every possible romantic coupling. M. Butterfly presents one of the most provocative and touching of all." So the inspiration seems to have been some sort of romance. What was this romantic coupling? Why, the twenty-year love affair, begun in Beijing, of a French diplomat with a bewitching, beguiling, entrancing Chinese woman who, during the diplomat's trial in Paris for treason, turned out to be a man.
High
... (1947 of 10735 Characters)
Read Full Article
|
|
