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A Handful of Dust: Bringing Evelyn Waugh to the Screen
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14964 |
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Section : |
THE ARTS
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| Issue
Date : |
9 / 1988 |
2,792 Words |
| Author
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George Szamuely
George Szamuely writes for Commentary and The Wall Street
Journal. He is a former editor of the Times Literary
Supplement. |
Most of us, at one time or another--our protestations notwithstanding--have dreamed of passing our days in languished ease and lighting up our nights partying, skiing, and cruising. And we've dreamed of weekending with the sort of people who, no matter how many more wrinkles and gray hairs the passing the years add, do not diminish in their ability to fascinate the perusers of gossip columns and supermarket tabloids. In the United States such social circles will comprise real state tycoons, movie stars, network news caster's the offspring of politicians with great futures behind them--people, in other words, who have "made it," even if only to the extent of being an object of speculation as to why they haven't "made it" bigger.
In Britain what counts is family name. In a much less mobile society than America, money has circulated chiefly, until very recently, through the means of steeply progressive taxation. The beneficiaries were council-house tenants, the unemployed, unmarried mothers, old-age pensioners, and frequent users of the free public-health services--not exactly the jet set. All that was left to feed the appetite for gossip were the doings and undoings of the scions of the old aristocracy or, rather, of the families who did well from Britain's enormous commercial expansion during the last century. On the other hand, it has been precisely this that has given Britain the picturesque, old worldly quality that has helped earn millions for the Exchequer through the worldwide distribution rights of television series based on novels set at the turn of the century and depicting a world only too recognizable today.
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