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Rethinking the Renaissance Origins of Modernity
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16269 |
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Section : |
BOOK WORLD
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3 / 1989 |
3,315 Words |
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James B. McSwain James B. McSwain teaches history at the University of South
Alabama. |
SACRALIZING THE SECULAR
The Renaissance of Origins of Modernity
Stephen A. McKnight
Baton Rouge: Louisiana State University Press, 1989
160 pp., $25.00
In 1918 at the close of the great bloodbath in Europe, Max Weber lamented the inexorable subjection of the world to rational calculation, quantification, efficiency, and bureaucratic manipulation, the thorough "disenchantment" of nature stripped of sacredness and gods by observational and reductionist pursuits of meaning, and the disappearance of comprehensive value and belief systems, which together, Weber disclosed, had mounted a triumph so complete that they were the incontestable marks of "modernity." Central to Weber's appraisal was his belief that this development ineluctably elevated the social importance of instrumental knowledge or science and rendered traditional religion publicly inconsequential. To Weber's grand and architectonic pronouncements, historians, literary critics, and social scientists have added more characteristics to the definition of modernity so that presently it is an unwieldy and intellectually variegated description of the political, social, and economic circumstances of the contemporary world including our ways of thinking, sentiments, and customs in comparison with how Western man behaved and thought at some arbitrary reference point in the "pre-modern" past.
A Formidable Task
Only the foolishly adventurous theoretician or intrepid academician would dare reduce "modernity"
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