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Kronos: This Is a String Quartet?
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15592 |
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Section : |
THE ARTS
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| Issue
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2 / 1989 |
1,977 Words |
| Author
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Anthony Kenny
Anthony Kenny is a writer on the arts and lives in New York
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When the four musicians arrive on the stage of Princeton's Richardson Auditorium in Alexander Hall it looks more like the beginning of a fashion show than of an evening of chamber music. First and second violins David Harrington and John Sherba are wearing padded-shoulder suits right out of L'Uomo Vogue with decorative leather patches on the elbows and knees. Violist Hank Dutt, whose blond hair is gathered at the back in a small ponytail, is no sartorial slouch either. Cellist Joan Jeanrenaud, with her slightly spiked blonde hair, is wearing a black velvet top that buttons up the back and black-on-black patterned pants tapered upward from the ankles sari-style.
This is a string quartet?
It is. It's the San Francisco-based Kronos Quartet, which takes its name from the Greek god Cronus, who castrated his father, Uranus, and later ate his own four children, except for lucky Zeus, who escaped.
Everything about the Kronos Quartet, whose oldest member is thirty-eight, is antithetical to the traditional concept of chamber music, a term with which Kronos violently denies any association. Near the beginning of the group's decade-long career, they were joined onstage by an eight-foot ambulatory robot named Elvik during a performance of several James Brown tunes.
That is not the James Brown of string quartet fame, but the James Brown of rhythm and blues and soul.
Unlike other string quartets, Kronos limits its repertoire to music composed within the last
... (1997 of 11829 Characters)
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