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Marvels of Romanesque Prague
| Article
# : |
15933 |
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Section : |
THE ARTS
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| Issue
Date : |
7 / 1989 |
2,351 Words |
| Author
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Jiri V. Kotas
Jiri V. Kotas, former research fellow of the Czechoslovak
Academy of Sciences, has extensive experience in Central
European archaeology. He is also chairman of the Czechoslovak
Federal Council-in-Exile. |
To a Western visitor Prague today gives the impression of almost limitless exuberant Baroque architecture and art, interrupted here and there by drab reminders of the present totalitarian regime. The capital of Czechoslovakia remains a fading but still dramatically beautiful city, stretched over several hills along the Vltava River valley and dominated by the Prague Castle. It is easy to agree with Alexander von Humboldt, who early in the last century declared Prague, together with Naples and Lisbon, to be one of the three most beautiful cities in the world.
One would think that the monuments and traces of Prague's origin and growth in the ninth to the twelfth centuries would be irretrievably buried by time and the masonry of succeeding ages. But as with many superficial observations, this is far from the truth. For the cognoscenti among art lovers and historians, Prague is prime ground for any study of Romanesque architecture. The Czech capital is a source of unparalleled richness and diversity. It is the place to study the origins of early European medieval urbanization. The number of extant Romanesque secular stone dwellings, for example, exceeds all other such European remains put together several times over. Yet no specialized or even general history of medieval art and architecture in English even mentions this highly important heritage. In addition, because of the political vicissitudes of the postwar era, nothing substantial has been published in the West by Czechoslovak art historians (except in German). All available special studies and archaeological reports dealing with the oldest parts of Prague exist so far only in Czech.
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