The World & I Online Magazine, ONline Archive and Educational Resource  
World & I School | World & I Homeschool | World & I College | World & I Library
Username:   Password:      Subscribe Now   Register   About Us | Contact Us | FAQs      
The World & I Archive Peoples of the World Book Reviews Worldwide Folktales Fathers of Faith
Search  
Sort by: Results Listed:
Date Range:    Advanced Search

The World & I Magazine
 
Current Issue
The Arts
Life
Natural Science
Culture
Book World
Modern Thought
  Resources
American Waves
Book Reviews
Fathers of Faith
Footsteps of Lincoln
Millennial Moments
Peoples of the World
Profiles in Character
Traveling the Globe
Writers and Writing

Beyond Rationalism and Romanticism: A Critique of Narrative Theology


Article # : 16591 

Section : MODERN THOUGHT
Issue Date : 11 / 1989  7,127 Words
Author : Anthony M. Matteo
Anthony M. Matteo teaches philosophy at Elizabethtown College and has been published in The Thomist, Horizons, and Franciscan Studies, predominantly on medieval nominalism.

       Permit me to begin with a personal reminiscene about the ambiguous effects of some particularly potent Christian narratives. As a child I recall Jews being referred to venomously as "Christ Killers" (ammazzatori di Cristo). The Italian peasant immigrants among whom I was raised sometimes employed this hideous epithet because it was part of the Christian "story" they had inherited. Although many of these folk were illiterate and could not actually read the New Testament, the passion narratives had been recounted to them year after year--especially during Holy Week, the description of Christ's trial and death in John 19 had strengthened whatever negative feeling they might have had about Jews. The anti-Jewish motif that is present in the Passion narratives helped shape their attitude toward Jews, as it did for countless other Christians in Western history.
       
        From a strictly literary point of view one might argue that the portrayal of Jews as wanton and willful rejecters of God's messiah adds "spice" to the story. A narrative that depicts a simple dramatic conflict between a hero, who indubitably embodies good, and his recalcitrant enemies, who virtually personify evil, is generally far more engaging than a complex and tentative tale, even if the latter more faithfully represents the ambiguity of the actual historical situation.
       
        Although these narratives helped intensify anti-Semitism in the West, they also served (and continue to serve) other ends as well, not the least of which is to encourage a loving and grateful response to the God who first loved us. The question is: Can we, unlike our ancestors, possibly separate the wheat from the chaff when dealing with material so central to the Christian tradition? It would appear that ... (2000 of 44496 Characters)
Read Full Article

Copyright © 2004 The World & I Online. All rights reserved. Terms of Use | Privacy Policy