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A Very Different Polish Hamlet
| Article
# : |
16619 |
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Section : |
THE ARTS
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| Issue
Date : |
10 / 1989 |
2,307 Words |
| Author
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Felix Kulpa
Felix Kulpa is an arts writer based in New York. |
"That is another of my attempts--the fourth--to come to
grips with Shakespeare's masterpiece. This time, it's
Hamlet the actor. The entire action is, in a way,
concentrated in a dressing room, which serves as a place
where Hamlet reflects on what is happening on the stage in
the background, these goings-on being only somewhat visible
--or, rather, audible--to be audience. It's a Hamlet of
meditation rather than action--the latter being replaced by
the former. For Hamlet, the Actor, 'to be or not to be'
means to endure until the end. To sustain the pressure of
his role. To play it through, also in the sense of the
artist's potential."
--Andrzej Wajda
The house lights in the august Theater C at the State University of New York at Purchase were on, but every seat was empty. Audience members were led down the aisles, and around the playing area, to a set of bleachers accommodating just one hundred spectators backstage. Those spectators saw a small dressing table on the left and beyond that, through a mirror-lined center stage, footlights and the vast empty hall.
As the action begins in Polish director Andrzej
... (1998 of 13404 Characters)
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