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Nicolas Slonimsky: Musical Genius


Article # : 16743 

Section : THE ARTS
Issue Date : 9 / 1989  2,404 Words
Author : Richard Kostelanetz
Richard Kostelanetz is a writer/composer living in New York. His recent books include On Innovative Music(ian)s (Limelight). His latest composition, Kaddish, was commissioned by Westdeutscher Rundfunk.

       At a music conference in Sweden about a year ago, the distinguished Argentine-German composer Mauricio Kagel, in the midst of talking about something else, asked, "Have you seen Nicolas Slonimsky recently? I saw him in Leningrad in May. He's ninety-four, and he travels!" Colleagues tell stories about Slonimsky's prodigious feats, and they always have. Though he is now ninety-five, most of the stories concern how he is not only traveling, but working.
       
        When I met him this past spring, the nonagenarian had just finished correcting proofs of a 521-page book that appeared this summer, Lectionary of Music, which contains his elaborate definitions of basic musical terms. ("Dictionary," he points out, refers to "saying" in Latin; lectio is reading.) He had come to New York to visit his daughter and adult grandchildren. Later in the week he would travel to Philadelphia to make a speech at a ceremony honoring his aunt, Isabelle Vengerova (1877-1956), an illustrious piano pedagogue whose pupils included Leonard Bernstein and Samuel Barber, among other luminaries. Back home in Los Angeles, Slonimsky, a widower, lives in a small cottage with his cat (named "Grody to the Max" after an epithet in a Moon Unit Zappa song).
       
        Nicolas Slonimsky was born on April 27, 1894, three years to the day after Sergei Prokofiev, in St. Petersburg, Russia. As he wrote, with characteristically extravagant irony, "Possessed of inordinate ambition, aggravated by the endemic intellectuality of his family of both maternal and paternal branches (novelists, revolutionary poets, literary critics, university professors, translators, chessmasters, economists, mathematicians, inventors of useless artificial languages, Herbrew scholars, speculative philosophers), he ... (1998 of 14342 Characters)
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