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Acts of Imagination
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17824 |
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BOOK WORLD
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3 / 1990 |
2,623 Words |
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Louis Owens
Louis Owens' teaches English at the University of New Mexico.
He is coauthor of American Indian Novelists and author of
Steinbeck's Revision of America. |
THE ANCIENT CHILD
Scott Momaday
New York: Doubleday, 1989
314 pp., $18.95
“We are what we imagine,'” N. Scott Momaday has written. "Our very existence consists in our imagination of ourselves. Our best destiny is to imagine, at least, completely, who and what, and that we are. The greatest tragedy that can befall us is to go unimagined." For the past two decades, the best destiny of N. Scott Momaday has been to imagine himself fully in poetry, fiction, and essays. It is a process that began with Momaday's first novel in 1968, the Pulitzer Prize-winning House Made of Dawn, ascended to a lyrical apex with The Way to Rainy Mountain in 1969, and arrives now at a kind of culmination with Momaday's long-awaited second novel, The Ancient Child.
Born Navarro Scotte Mammedaty, according to the office of Indian Services, in the Kiowa and Comanche Indian Hospital at Lawton, Oklahoma, on February 27, 1934, N. Scott Momaday grew up at a distance from his father's Kiowa roots, completing a Ph.D. in literature at Stanford University (with a dissertation on the obscure nineteenth-century poet Frederick Goddard Tuckerman) and going on to a career as a university professor. Addressing a group of students the author once explained,
“I think of myself as an Indian because at one time in my life I suddenly realized that my father had grown up speaking a language that I didn't grow up speaking, that my forebears on his side had made a migration from Canada along with…Athapaskan peoples that I knew nothing about, and so I
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