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Fay Jones: Gold Medal Architect
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17952 |
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Section : |
THE ARTS
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5 / 1990 |
1,544 Words |
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Allen Freeman
Allen freeman is an architectural writer and photographer in
Washington, D.C. |
Selection of Fay Jones of Arkansas for the American Institute of Architect's Gold Medal follows by one year the selection of Joseph Esherick of San Francisco for the same honor. Although the Southerner's buildings are dissimilar in appearance from those of the Northern Californian's, both architects share qualities whose recognition bodes a heartening departure from some of the recent glittering excesses of Postmodern architecture.
Esherick and Jones could be called universal regionalists. Thoroughly grounded in Modernism, they have consistently imbued their buildings with characteristics of their respective regions. Both are designers primarily of smaller-scaled works, notably exquisite houses finished in indigenous materials and full of natural light. And both are inspired teacher - Esherick at the University of California at Berkeley and Jones at the University of Arkansas in Fayetteville.
Jones, sixty-eight, is the American Institute of Architects' forty-eighth Gold Medal recipient. AIA's highest honor, and arguably the most prestigious international architectural prize, the Gold Medal is analogous to the lifetime achievement Academy Award in that it is conferred by the elite governing body - AIA's Board of Directors - of the leading professional organization in its field. Since the God Medal was an established in 1907, recipients have included Britain's Edwin Lutyens, Alvar Aalto of Finland, Kenzo Tange of Japan, Canadian Arthur Erickson, and such American greats as Charles McKim, Louis Sullivan, and Frank Lloyd Wright. Among those who consider Wright America's preeminent architectural genius, recognition of Fay Jones signals a long-awaited return of attention to Wright's principles of organic
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