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Of Willie's Bondage
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16907 |
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BOOK WORLD
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| Issue
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4 / 1990 |
2,712 Words |
| Author
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Catherine Maclay
Catherline Maclay is a writer and editor who lives in
Berkeley, California. |
WILLIE, THE LIFE OF W. SOMERSET MAUGHAM
Robert Calder
New York: St. Martin's Press, 1990
432 pp., $19.95
When the English writer and expatriate Christopher Isherwood met W. Somerset Maugham in Hollywood during World War II, he likened him to “an old Gladstone bag covered with labels" - God only knew what was inside. Robert Calder's biography, Willie, The Life of W. Somerset Maugham, is a valiant attempt to discover just what lay beneath the crusty exterior of one of the most prolific and successful authors of this century - a man whose literary output was relentless and varied, whose life was filled with adventure, and whose personality was a study in contradictions.
As Calder points out, the writer who lived entirely by his pen was a rarity in Maugham's day, yet Maugham set out to do that with the same determination that was to mark every aspect of his life. When he died in 1965, he had produced thirty-one plays, nineteen novels, nine collections of short stories, and twelve works of nonfiction. In 1908 he became, almost overnight, the most popular dramatist in London. Now, of course, we remember him for a small part of his work, for stories like "Rain" and "The Letter"; for his best novels, Of Human Bondage, Cakes and Ale, The Moon and Sixpence, The Razor's Edge; and for the films that were made from them - Bette Davis' unforgettably cruel Mildred playing against Leslie Howard's sensitive, clubfooted Philip in the movie version of Of Human Bondage.
A difficult coming of age
... (1983 of 15561 Characters)
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