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Spirit of Prajnaparamita
| Article
# : |
17488 |
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Section : |
THE ARTS
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| Issue
Date : |
7 / 1990 |
1,957 Words |
| Author
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Jane Addams Allen
Jane Addams Allen is an award-winning art critic who now
resides in Cornwall, England. |
The Sanskrit work prajnaparamita means transcendental wisdom, and is also the title of an important Buddhist scripture. To millions of Indonesians, though, Prajnaparamita signifies an exquisitely carved stone sculpture of a queen. Seated in the lotus position, a smile as inscrutable as the Mona Lisa's playing across her lovely features, she is both seductive and implacable. This fourteenth century Goddess of Transcendental Wisdom is one of the great classics of Indonesian stone sculpture and a centerpiece of The Sculpture of Indonesia, opening this month at the National Gallery.
The largest exhibition of Indonesian art ever mounted in this country, the show is a splendid prelude to the many events and exhibitions of the nationwide Festival of Indonesia, commencing next fall. Dating from the Bronze Age to the fifteenth century, this current show's 142 objects range from monumental stone sculptures and reliefs to tiny devotional figures in precious metals, from slit drums to bronze lamps that cast fantastic shadows, and from temple bells to chastity plaques. They come from collections on three continents.
But the Prajnaparamita is special; over the years this proud goddess has become a symbol of Indonesian unity and independence. The National Gallery is lucky indeed to have negotiated such a significant loan. Legend has it that the sculpture is a posthumous portrait of Ken Dedes, matriarch of the Majapahits, the fourteenth-century dynasty that first united the islands of Indonesia into a single empire.
The legends that swirl around Ken Dedes mix history with myth. According to a chronicle written near the end of the fifteenth
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