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Made in Japan Opera
| Article
# : |
18092 |
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Section : |
THE ARTS
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| Issue
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11 / 1990 |
1,920 Words |
| Author
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David Tracey
David Tracey is a film critic residing in Japan. |
Tokyo is known more for driving the powerful Japanese economy than for its contributions to Western culture, but it may now be able to boast a new title: the opera capital of the world.
No, the Japanese are not about to flood the globe's concert halls with exported divas. Made-in-Japan opera, in fact, is decidedly below international standards. Domestic productions tend to be hampered by inconsistent singing and weak acting. Young Japanese performers with potential invariably head overseas to seek the expert training they know they can't find at home.
But for the opera lover, at least, Tokyo in recent years has become something of paradise. Lured by the mighty yen, a dazzling array of the world's operable can be seen in any season. This pool of great talent has boosted the popularity of opera far beyond the traditional patrons in evening gowns and tuxedos. The number of opera lovers has grown to the point where performances are now held in sports stadiums, including the massive Tokyo Dome baseball park. It's all a part of what the Japanese are calling an "operaboomu." And unlike some fads in Japan such as the 1960s, "group sounds boom" that had thousands of amateurs buying electric guitars to imitate Ventures hits, opera shows every sign of continuing its popularity into the next century.
Screaming Rock Fans
In one month at the end of last year, opera fans had the choice, among others, of watching an imported Arena de Verona production of Aida in the National Olympic Pool Stadium or hearing a solo recital by Luciano Pavarotti in the
... (1997 of 10848 Characters)
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