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Neil Tetkowski: Playing With Plates
| Article
# : |
18104 |
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Section : |
THE ARTS
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| Issue
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11 / 1990 |
2,057 Words |
| Author
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Karen S. Chambers
Karen S. Chambers is a craft writer, critic, and curator
currently based in New York. |
Neil Tetkowski is not easily categorized. He is a potter who makes sculpture. His artworks are rugged and down to earth, but his living space is filled with classic examples of Bauhaus design. His ceramic platters are not designed to serve food; they are meant to be explored visually. These expressionistic works conjure up thoughts of Japan, but the scale is too big, the color too bold, the approach too brash.
During his grade-school years, Tetkowshi shuttled between Siena, Italy, with its rich Renaissance heritage, and the gritty industrial city of Buffalo, New York. As a teenager he envisioned a life as a self-sufficient potter in the country: "do-it-yourself, hippie, laid back, bake bread, go to the mountains, and make pots." In college he practiced the piano for four hours a day until his art professors gave him an ultimatum: art or music.
Tetkowski is soft-spoken, reticent to discuss his personal life, but eager to share his thoughts on art and the art world. In short, the man is a study in contrasts.
Artistic Origins
The only son of two art teachers, Tetkowski grew up in Buffalo. His father was chairman of the design department of SUNY College in Buffalo, and initiated a year abroad program based in Siena, so that family spent alternate years in Buffalo and Siena. Tetkowski recalls that as a child growing up, he encountered difficulties because of these regular disruptions. He really never became a part of the grade-school society in Buffalo, because when most boys were learning to play baseball, he was in Italy visiting
... (1992 of 11457 Characters)
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