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Dancing in the Park
| Article
# : |
18387 |
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Section : |
CULTURE
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| Issue
Date : |
9 / 1990 |
2,302 Words |
| Author
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James Stanlaw
James Stanlaw is assistant professor of anthropology at
Illinois State University. |
The alienation and rebellion of youth are among the most disturbing and perplexing aspects of modern urban life, especially to societies that derive security and pride from their traditional culture. James Stanlaw, in a companion piece to “Not East Not West, Not Old Not New: Trends and Genres in Japanese Popular Music” (Crossroads, November 1989), observes similarities between the rebellious self-expression of Tokyo youth and the traditions of dance in rural Japan.
The Editor
On Sundays groups of Japanese teenagers congregate in Tokyo's Harajuku district, an upscale boutique area next to the large Yoyogi Park. Many of them dance in choreographed unison in the middle of the street, usually in groups of about a dozen or so. Others play around in different ways. Many just come to hang out and watch each other and look fashionable, or to watch the tourists who have come out to watch them.
There are several notable groups that meet in the area, and most are identifiable by their costume. They are often called the rock and roll zoku (rock and roll tribe), a name which seems to have replaced the earlier amegura zoku, or American Graffiti tribe (a label presumably taken from the film American Graffiti). Their costumes consist of the usual garish garb worn by American 1950s pop stars, or Marlon Brando-style leather motorcycle jackets. Their music is any kind of 1950s or 1960s classic rock and roll. One of the most distinctive sights of the Harajuku is this group of dancing James Dean imitators gyrating to golden oldies.
Another kind of group,
... (1997 of 13807 Characters)
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