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Again the hunters lighted the torch and again the sentry
sounded the alarm and the flock awoke, found nothing, and
went back to sleep. On the third try, the flock decided
that the sentry bird was playing tricks on them. They bit
him mercilessly and then went back to sleep.
A few minutes later, the hunters lighted the torch
but this time the sentry remained silent. And the hunters
drew in the net and caught the birds.
Mo Ti of the fifth century, founder
of the Mohist school, is credited with:
Tsu Ch’in asked his teacher Mo Tsu if there can be
any true virtue in being talkative.
Mo Tsu answered: “What value can there be in being
talkative? Take the frog in the pond. He croaks all day
and all night, and no one pays any attention to him. On
the other hand, the cock crows only once or twice at dawn
and everyone listens to him. Talk, therefore, only when
it does some good.”
Some of the fables recorded in China from ancient times
are literary forms, written in literary Chinese without
any clear signs of having been in oral tradition at all,
unlike the Greek and Middle East fables, which do in fact
often show the distinct features of having had a very long
oral tradition. Even though the ancient Chinese fable is
clothed in literary form and is generally attributed to
a great thinker or philosopher, there is every reason to
believe that many were in oral tradition and were current
among the people at large, both as rhetorical devices and
as fable/folktale complexes. It is clear, of course, that
they became part of (or returned to) oral tradition
soon after having been written, and a large number of these
are known and used today. Many of these are humorous, and
this resulted in a number of them being recast as jokes
circulated orally or being reintroduced in written form
as parts of collections of humorous tales, a number of which
have survived through the history of Chinese popular literature.
One fable that became a popular joke was:
There was once a man who had a friend who had attained
immortality. When the immortal found out that his friend
was in dire straits, he pointed to a brick, turned it to
gold, and offered it to his friend. The friend was not satisfied
with that. The immortal pointed his finger at a large statue
and turned it into gold for him, but the friend was still
not satisfied.
“How, then, can I satisfy you?” the immortal asked.
“You don’t seem to want the gold. What do you want?”
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