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In addition, these stories cause them to
muse about their connection with the universe. Like humans
everywhere, the Chokwe not only live surrounded by the actual
"wilderness," but also explore ideas about their place within
that world.
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Women
gather to perform a healing dance for an infertile
woman.
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The Chokwe
and their tales
In earlier days, the Chokwe (also Tshokwe and Cokwe)
were renowned warriors, traders, and sorcerers who wandered
throughout the Central African savanna—southern Zaire, northeastern
Angola, and parts of Zambia. Today, as predominately small-scale
farmers, they live in more established communities. Their
villages, twelve to sixteen thatch-roofed huts housing relatives
from the same clan, are nestled in the endless grassy plains.
Settled near rivers and their slash-and-burn fields, the
villagers live off the land and travel to the distant town
only for commodities such as soap, salt, and cloth.
Day by day, people work in the bush: they farm, hunt,
and fish; gather grubs and greens; and walk to the river
to bathe, wash clothes, and get water. Living in a Chokwe
village, one coexists with the nearby bush—its creatures,
plants, and animals—for the bush provides almost all needs.
The weather regulates the villagers’ daily movements to
and fro: In the rainy season, from mid-August to May, they
plant and harvest and fish, while in the dry season they
hunt in groups roving throughout the plain or scavenge for
the few surviving manioc greens and riverside plants.
Primarily known in the West for their exquisite wooden
sculptures and ritual masks, the Chokwe also dance, sing,
and tell remarkable stories. Their traditional tales describe
Chokwe life and play upon concepts about that world, passed
on from generation to generation. Told around the home fires
when people gather in the evening to visit, these stories
entertain and teach.
The Chokwe also use yishima to instruct when arguing
in court or in conversation. Alluding to a known chishima,
a speaker adroitly fits story characters and actions to
the debated situation so that the accused will hear the
indirect message. Through such allusions, a speaker can
mock and criticize a troublemaker or merely comment subtly
on a problem.
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