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When they had eaten, Ali-the-eel instructed them further
in behavior appropriate to members of his new clan:
“The meat of eels is forever forbidden to you,
As it is for your descendants.
You may never name any descendant Lela.
Your descendants are prohibited
From bathing in this stream.”
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Timorese
performances of a dance similar to that taught in
the Ali tale.
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Ali-the-eel next taught
his elder brothers songs no human being had ever heard and
dances no one had ever danced, telling them that only they
and their clan descendants had the rights to the traditions. These things accomplished, he slammed his head
against a boulder, and the head of an eel emerged. Ali’s transformation was now total, and the eel left.
Upon receiving these instructions, the elder brothers
honored their founder by calling themselves “the people
of the eel.” Then
they went their separate ways.
Today, people of the eel clan can be found throughout
East Timor.
Means
of instruction
In
East Timor as elsewhere, folktales relate the adventures
of animals and human beings.
They are recited for sheer pleasure rather than as
interpretive charters, but they often deliver moral lessons,
especially to the younger members of society for whom the
tales provide a means of instruction in values.
In this way, folk experience is transmitted down
the generations, with each generation making its own contributions
so that the accumulated wisdom of the ancestors becomes
available to a new generation.
The
plot may revolve around the contrasting personalities of
a pair of antagonists, such as we find in the North American
folktales featuring Brer Rabbit and Brer Fox, who constantly
strive to outdo each other.
In East Timor, two stock characters are Monkey and
Shark, whose never-ending ploys to outwit each other reveal
clearly defined personal strengths and weaknesses, qualities
that listeners identity with or assign to their fellows.
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